![]() ![]() ![]() Together they offer a unique understanding of early Greek classical architecture seen through the work of an 18th-century master. It reproduces Piranesis 15 drawings of the Greek Doric temples at Paestum in southern Italy. This book offers exquisite reproductions of the drawings as well as 30 additional works from Piranesi's oeuvre. These drawings are accomplished examples of Piranesi's topographical observation and great works of art in their own right. Among Soane's greatest legacies is the London museum that bears his name, and some of its most important holdings are a number of preparatory drawings Piranesi developed for a publication on the Greek temples at Paestum. In 1778, Giovanni Battista Piranesi and his son Francesco travelled to Paestum on the Gulf of Salerno south of Naples to sketch the ancient remains of the. When the two artists met, they formed a profound and complex creative and intellectual relationship that nurtured Soane's later career. L’esaltazione della nobile semplicità e della quieta grandezza perpetrata dal Winckelmann nella celebrazione del dorico di Paestum si può rileggere anche nel maturo riavvicinamento alla Grecia da parte di Giambattista Piranesi. ![]() Piranesi's English contemporary Sir John Soane was also an architect specializing in the neoclassical style. An 18th-century architect and printmaker, Giovanni Battista Piranesi was a lifelong champion of Rome, publishing more than 1,000 etchings of the Eternal City and its ancient monuments. A renowned scholar examines the beauty and impact of drawings and prints by Piranesi, as well as the Italian architect's relationship with his friend and colleague Sir John Soane. In 1778 Giovanni Battista Piranesi traveled to Paestum and produced a series of views of the temples of the ancient city: we discuss them in this article. ![]()
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